What is Mozart’s style, and how can musicians today identify it and fully represent it? These articles and papers address these questions.

Articles

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(NEW) Stylistic Integrity, Performance Practice, and Mozart’s Cadenzas, Mary Robbins

Teaching Mozart MSA Presentation, Mary Robbins

Mozart: The Elephant in Today's Classroom, Mary Robbins

Examples of presentations to professional associations, including the Mozart Society of America, American Musicological Society (in collaboration with the Mozart Stiftung in Salzburg), the International Journal of Musicology, and Music Teachers National Association (and chapters).

Mary Robbins. "John Irving, Understanding Mozart’s Piano Sonatas (Farnham, Surrey, England; Burlington, VT: Ashgate, 2010) Reviewed by Mary Robbins", Newsletter of the Mozart Society of America, Volume XV, Number 2 27 August 2011; pp.13-15.

Robbins, Mary Lauren. Mozart's Cadenzas for the First Movements of His Piano Concertos: The Influence of Harmonic Symmetry on Their Function and Structure (D.M.A. diss.. The University of Texas at Austin, 1992; Michigan: UMI, 1997).

Mary Robbins. “Reinterpreted Elements in Mozart’s Cadenzas for His Piano Concertos,” in Mozart Jahrbuch 1991: Bericht über den Internationalen Mozart-Kongreß 1991. Vol. 1 (Kassel: Bärenreiter, 1992): 182- 87.